![]() ![]() Our editors are trained toĭelete any hype or advertising verbiage such as “most famous,” Information has been provided by Jane Doe, the niece of the artist."ĭealers and Museums will be automatically credited with a link to their Please introduce your information as follows: "The following biographical Is rewarding for all of us to see artists' files grow, and others may be eager If you do not know a great deal about theĪrtist, but have noteworthy information to share, we would welcome you to send Our site is about PAINTERS, SCULPTORS, and ILLUSTRATORS. Please keep in mind that askART is not a promotional site, and accordinglyīiographical information should not be worded for purposes of 'advertising' an When submitting biographical information, we appreciate your consideration of Viewable on Fridays, but the rest of the week biographies are available only to ![]() For all others who have useful informationĪbout this artist, please email the information Please note: All biographies will be fully If you areĪ dealer or museum not currently registered, pleaseĬlick here to register, and then you may select your artist and submitĢ. He/she is in your list of artists), and submit your biography there. Registered with askART your best approach is to log in, choose the artist (once If you feel you have worthwhile information you would like to contribute, the following means of submission is the most efficient. I’m grateful that he ended up as an artist.Please note: Artists not classified as American in our database may have limited biographical data compared to the extensive information about American artists.Ĭreating biographies or improving upon them is a work in progress, and we welcome information from our knowledgeable viewers. No matter the range they were viewed from, the dots were able to separate or coagulate in a seemingly endless cycle of recongfiguration a glistening enameled cosmos of single-celled love, germs, churning wheels of perpetual motion, a packed urban sidewalk from above, an undulating rain of sub-atomic particles, striations of gravel and sediment, hieroglyphics, taste buds, a disciplined, minimal “lie brite” set.Īnyone with the attention to detail and obvious patience of Teo González might have ended up as a big game hunter or a nuclear weapons designer or a chemical engineer. I suppose I’m just a sucker for contrast, but I found the black on white paintings to be among the most attractive things I could imagine hanging on my wall. Although the black on black pieces are more interesting at close range than one might expect, they still left me with a sort of Vegas sequined shirt sensation that, all things considered, I could do without. There are two basic templates in the exhibit: black dots on a white background and black dots on a black background. González deftly adapts the scale of his dots and drops to the size of each piece, managing to imply a similar expansiveness regardless of dimensions. Impressive, considering that each piece is named for the amount of dots it contains and the exhibit itself for a total number of dots in all the works combined. González lays his dots out on a grid, more apparent in smaller works than in the larger pieces, and each dot has a distinct character all its own. This is not a bad thing, especially because it’s no cheap shot: González summons you to his work with the contrast and concentration of dots, but the work is no less engaging at a distant of several inches. Add the benefit of black and white and Shazam! – all that time patiently arranging his dots and drops pays off with a visual grip like a sock in the eye. ![]() González applies “dots and drops” of enamel onto a matte acrylic surface, capitalizing on a contrast in sheen to get the viewer’s attention. The mild mannered Spaniard who calls NYC home these days, produces immediately eye-popping, brain-grabbing paintings that must take months to fully complete. Teo González will patiently punch you in the face. ![]()
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